Sheila Talbitzer - Fine Art Photography
Untitled 1: from the series Luminol Untitled 2: from the series Luminol Untitled 3: from the series Luminol Untitled 4: from the series Luminol Untitled 5: from the series Luminol Untitled 6: from the series Luminol Untitled 7: from the series Luminol Untitled 8: from the series Luminol Untitled 9: from the series Luminol Untitled 10: from the series Luminol Untitled 11: from the series Luminol Untitled 12: from the series Luminol Untitled 13: from the series Luminol Untitled 14: from the series Luminol Untitled 15: from the series Luminol Untitled 16: from the series Luminol Untitled 17: from the series Luminol Untitled 18: from the series Luminol Untitled 19: from the series Luminol Untitled 20: from the series Luminol Untitled 21: from the series Luminol Untitled 22: from the series Luminol Untitled 23: from the series Luminol Untitled 24: from the series Luminol Untitled 25: from the series Luminol Untitled 26: from the series Luminol Untitled 27: from the series Luminol Untitled 28: from the series Luminol
Luminol
Like the crime scene investigation tool, popularized by contemporary television programs, used to illuminate biological residue unseeable by the naked eye, these images explore the psychological residue of being raised in a culture of fear. As a child I was told to avoid strangers because they may cause me harm, but was never told how to identify the threatening ones. As a result, I feared them all. I was taught self defense in the girl scouts before really understanding what I was defending. Later, my popular culture heroes equated outward femininity with victimization adding to my already established insecurities. These images are the embodiment of those fears. The figures are dissected, exposed, girly, sexualized, and surrounded by the darkness of an unidentifiable threat. The flesh of the girls alternate in and out of focus pushing the anxiety in and out of the real world.

BACK TO PORTFOLIO